I’m back, after disappearing only a week into these posts~. One of the things you’ll learn about me, is my lack of consistency, but to make up for the absence I’ve hand picked more than I should have for this week. I hope everyone has a lovely weekend.
Join us on Discord for more photoshoots, since Kappy was very logical in her approach that sharing more would not be a treat for everyone’s bandwidth.
I visit the China Film Insider website ever so often to read about the latest movies and last month had read an article about how currently the most popular movies in China are those with “buddy love” storylines. I’d been noticing lately that a lot of the movies and series I have started to prefer as well have had a strong bromance and could see why they would do well.
Good examples of the bromance element can be found in Legend of the Demon Cat and Detective Chinatown 2. Because both movies are basically buddy cop murder mysteries and had a lot of common elements, despite taking place in different time periods and being different genres (historical drama versus modern comedy), I decided to review them together.
I’ve been reading a lot of discussion since the last post about Tribes and Empires running out of money (true!) and who’s to blame. A lot of rumors. It’s hard to say. This is director Cao Dun’s first venture into ancient fantasy series so he is ambitious and has an artistic vision and didn’t realize many costly things. It’s hard to entirely blame him because he’s well-loved by the cast and we were all wow-ed by the first trailer Tribes dished out. Weren’t we? At least now many realize a good drama isn’t just about the directing but a combination of directing, writing, and acting. Whether or not Huang Xuan’s scenes were cut, we can’t verify, but I did watch Zhou Zi Wei’s interview where he admitted that he shot the drama and then was told they could only give him so much and he replied that he didn’t need to be paid because acting out emotional turbulence like Shuo Feng in itself is a mark in his acting career. The opportunity cannot be exchanged for money. So everyone in the cast suffers in one way or another, not just any one actor.
If they are lucky to get funding for another season, let this first season be a good lesson for the production company about budget management (!!).